It begins with the ink of a dissected squid, how the dark cloud of it holds its shape before it dissolves. This is the part I can explain without screaming. I have a dream where you’re driving. You’re always driving. Tell me you remember the sound the gravel made under the tires. I’m in the passenger seat holding a heart in my lap and it’s still beating, I just, swear it’s beating like a moth against a screen. This isn’t a metaphor, I want to say, put your hands on me. But the sky is the color of a fresh bruise and you just keep accelerating toward it. Which is how we end up here, in a room I don’t recognize, a room that might be a boat, or the bottom of the sea. The windows are painted shut with saltwater. You are not here, but your absence is a kind of construction, a house I walk through. A book left open to a page on tidal patterns, turning itself. A single key that promises a door. You would think, from the quiet, that what happened here was forgivable. But the ink stain on the floor keeps changing its shape: first a wing, then a fist, then a map of a country where we both used to live, before the fire. I put my ear to it, and I can hear the ocean, or maybe it’s just the sound of a car, very far away, still burning.
standalone poem