standalone poem

Cutaway, through Gordon Matta-Clark and The Sims

1.
What did the carpenters imagine 
would arrive to hold the joists 
in place once the central chimney
was drop-forged through the subfloor? Do they 
suppose a roof beam balances on habit alone,
or that twelve tons of unreasonably placed
masonry hangs suspended by a slender wire 
of flax while the walls are dragged outward
square by square, intersecting someone 
finishing a cigarette 
listening to frooby noop on the curb?

2.
At cleavage, a dwelling divides into two
unequal hulls, The first
to drop: forty years of flowered oilcloth.
The second, the plumb line’s faith 
in gravity. Then: an deletion 
three inches wide, sawn 
clean through the clapboard,
through the lath, admitting
a noon glare straight into the fruit cellar
to strike the coal heap, soon to 
ignite the property
value and nevertheless remains usable.

3.
(a) The foundation indemnifies the tenant against sudden sky.
(b) The sky is a structural defect in the ceiling.
(c) A room without four continuous walls is not recognized as a room.

4.
Half the porch tilts four degrees south
clipping into jacks. Between the severed 
halves, a carnal draft
rifles the medicine chest: iodine, dry sponges,
a rusted razor, the patent leaflet for a rupture 
brace, stuck to damp wallpaper.
Zero salvage to show for eighty years of shelter
except this geometric wedge of daylight
splitting the kitchen linoleum down 
through the unpainted world to raw bedrock.